I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day’s declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
W. B. Yeats, The Tower (1928)
I have had some personalized greeting cards printed very reasonably by Snappy Snaps and featuring my two finished portraits of my neighbour, Captain Cox.
My local branch’s printer was out of order so I went three Tube stops south to St John’s Wood, the same firm and design of shop but in a street from another world, a world which seems to ooze money. As I browsed about the high street, the confusion of languages was even richer than in my local high street, which is a good thing if one reads what God thought of the single language of the Tower of Babel. Well-dressed young families were easing themselves in and out of large expensive cars. The houses advertised in the estate agents’ windows were of an elegantly earlier period and at least three-and-a-half times as expensive as their West Hampstead counterparts. The cards I’d ordered were the same price as my more local shop but at a nearby gents outfitters there was a pair of quite ordinary jeans in the window, sale price £199 reduced from £285.
Photo by EP |
I noticed an Oxfam charity shop across the road, hemmed in between the boutiques, and sure enough the window display was up market, too, tastefully minimalist with some choice books, a nice mirror and a classy gilt ladies’ evening bag. Out of curiosity I went inside, with a minute to closing time, to price the jeans if they had any, and to my astonishment actually bought a nice pair for £10.99! On the price tag there was a photograph of a smiling little boy clutching a goat and the words: ‘£10.99 buys a milk goat for a home for street children in Tanzania.’
Photo by EP |
Soon I re-encountered a lady who’d been in Snappy Snaps yesterday when I had discovered she’d been a BBC radio producer; even so she was as ignorant of my illustrious radio past as I was of hers. This afternoon, as the rain had stopped, we sat down at a street cafĂ© and chatted for a while and she told me about her absorption in Buddhism and the grand masters she had been fortunate enough to know and how the ‘reality’ around us was merely a dream.
Now it so happens that I had been reading about the Buddha in H. G. Wells’s Short History of the World whilst commuting to Windsor last week and had been rather shocked to learn that he (the man who became known as the Buddha) had crept out of his home in the night and left his sleeping wife and newly born son so that he would be free to live and seek enlightenment. The rest is history as the saying goes, except one wonders about the untold history of the wife and fatherless child.
An illustration from Wells’s Short History showing the Dhamekh Tower in the Deer Park at Sarnath, site of the Buddha’s first discourse after his enlightenment |
Tatlin in front of a model of his Tower in 1919 |
and Kapoor with a model of his Orbit |
A scale model of Tatlin’s Tower was erected in the forecourt of the Royal Academy last November as part of its exhibition Building the Revolution: Soviet Art and Architecture 1915-1935. Photo by EP |
Comparative towers, the price of houses, of jeans and milk goats … and I’m not dreaming!
Postscript
On the subject of towers and their ‘local’ associations, this watercolour of St Aldate’s in Oxford and the famous Tom Tower of Christ Church College was painted in 1896 by Fritz Althaus, who lived in Iverson Road, West Hampstead.
The Tower, whose bell ‘Great Tom’ still tolls 101 times each evening at 9.05, was also for three years the central view from Kathleen’s window in Oxford.
Photo by KR |
The good news is that the waist of the jeans is slightly loose on me.
My first thought when I saw Kapoor's 'Orbit' was that it was a very tall, thin tower that had suffered a catastrophic component failure and buckled. I'm not sure that was quite the effect he was trying to achieve ...
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